Brainstorming Costumes
by Eléonore Ley
As
one of the Costume Designers of A Lie Of The Mind, I thought I'd talk
a little about that aspect of our production. Having seen an enormous
amount of theatre in my few years in New York, I have come to know
how important the design of a show is. The world created by the
scenography and costumes is, I believe, a key component of the
audience's experience. I've also always found, as an actor, the
costumes to be one of the most fun and exciting aspects of getting in
the skin of a character.
Costume Designer Eléonore Ley Costume Designer Sofia Piccolo
The
western family, the Californians, come from a warm, sunny area. And
yet to describe the general personality of this family, we used terms
like "destructive", "troubled", "pained".
Which led us to imagine a darker, more faded aesthetic for their
looks and their home. The idea of faded visuals inspires me even more
as I think of the effect sunlight has on surfaces.
Now,
on the other side, the Montana family lives in a icy and harsh
environment. But as we discussed their temperament, it was very clear
that what describes them best are words like "warm",
"caring", "unpretentious". We had just as clear
of a sense that their wardrobes and their household are cozy, with an
overpowering palette of warm, fiery colors.
I
think these contrasts provide a stronger sense of who these two
families are, and how the visual aspects of this production can be
fascinatingly intertwined with these character's psychologies.
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